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ISO maxes out at 25,600 which is actually several stops higher than the Ursa Mini Pro. We did run into some shadow noise in some situations, particularly after brightening the image in post, but this is to be expected and certainly wasn’t worse than what we’ve seen from other cameras. Our last major frustration with the Pocket Cinema Camera 4K is its port covers. Three hunks of rubber cover the mic input, headphone output, HDMI out, 12v power, USB-C port and mini XLR port. Once you pull them out, the covers are difficult to put back. In fact, we were unable to get the top cover back in place unless we started at the top and worked our way down.
BMPCC 6K Pro – The Features that make the Difference
In this configuration it even dwarfs a pro DSLR or medium format stills camera. One of the headliner features here is the three built-in ND filters. Two buttons on the rear of the camera cycle between filters that offer 2, 4, and 6 stops of filtering (or none at all). If you're on a chaotic outdoor set, being able to adjust filters with a press of a button can be a lifesaver.
Models Walking in Daylight
Next, we put the Pocket Cinema Camera 4K through some basic tests to see its low light performance, moiré and rolling shutter. If you’re not blown away at those specs, your expectations are too high. The camera isn’t perfect, but what can you expect for a $1,300 camera?
Blackmagic Pocket Cinema Camera 6K Pro review
And you can do repeatable pre-programmed focus pulls that also beat what a focus puller can do in set up time or in doing it on the fly. That is an old myth based on the fact that cinema did not have AF or if they did it was lousy. Today's cameras (eg, Sony, Canon) have terrific AF.
If you are an independent, documentary, or student filmmaker, yes; this is the cinema camera you have been waiting for. If you are a one-person crew, you may want to hold off — but even then, it’s not a solid no. You may yet be able to make this camera work for you, just know you’ll have to clear some small hurdles first.
For this review, we shot entirely in ProRes 422, which on the BMPCC 4K is merely a midrange quality option, but it easily outclasses what’s available on most mirrorless cameras. Cameras like the Panasonic GH5-series and the Fujifilm X-T3 offer high-bitrate codecs with comparable quality to ProRes, but they aren’t edit-ready and will run much slower on a computer unless transcoded first. ProRes footage, on the other hand, can be dropped straight onto a timeline in most popular editing programs and manipulated with ease.
40MP sensor shows lots of detail, with its lens delivering good levels of sharpness at our standard F5.6 test aperture. For our twenty-fifth anniversary, we asked camera and lens makers what they believe to be the most significant products of the past quarter century. The Fujifilm X100VI is the sixth iteration of Fujifilm's classically-styled large sensor compact. A 40MP X-Trans sensor, in-body stabilization and 6.2K video are among the updates. There is no reason why EF can't have tracking AF in video.
Footage From Blackmagic's New Cinema Camera 6K is Very Impressive - PetaPixel
Footage From Blackmagic's New Cinema Camera 6K is Very Impressive.
Posted: Mon, 25 Sep 2023 07:00:00 GMT [source]
One is the extra processing involved and these Blackmagic Raw (B-Raw) files have to be processed in Blackmagic’s own Da Vinci Resolve software. You do get a free, full Studio version of Resolve included, which is industry-standard for colour grading. It now takes Sony-spec batteries which can be bought in larger capacities, but it’s still power-hungry and you should buy a few – even if you use the battery grip. The camera can be trickle charged by the USB-C socket but only if you’re not using it to record to an external SSD. On a full charge, a single battery might last about an hour, and that can be optimistic at times. To help offset this, Blackmagic sells a battery grip ($145) that can house two extra NP-F batteries for up to around three hours of battery life.
Camera settings, status and meters displayed in top and bottom blank area. Actual storage rates are entirely dependent on image subject matter. Blackmagic Pocket Cinema Camera 4K and 6K work with standard photographic LP‑E6 batteries.
There’s a good size grip with access to control dials, function buttons, and the record button. Interestingly enough, they actually have the same dual native ISO settings of 400 and 3200 and the same 13 stops of dynamic range. The new full-frame 6K will even work with existing accessories like the EVF and battery grip. Pure stills, and they still offer unique image quality that's unrivaled in certain ways by any other camera. Other than that, I don't know why you'd complain about having video capabilities if they're not compromising the still photography.
All this means customers can build the perfect camera for the any production that’s both rugged and reliable. The Blackmagic Pocket Cinema Camera 4K uses a full-size Four Thirds sensor (compared to the smaller Super16 sensor in the original Pocket Cinema Camera). This is still smaller than the Super35 standard used in the Ursa Mini Pro, Canon’s Cinema EOS line, and most other high-end cinema cameras, but it punches above its weight.
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